Favour
Fisher
Favour
Any 5 for $29.99
$6.00 a stencil. Mix any genres, any artists, any labels.
Add any 5 stencils to your cart and the bundle price applies automatically at checkout. Mix any genres, any artists, any labels.
Browse all stencilsWe broke down songs in extreme detail to show you what instruments go into them and where to put them across the timeline. All that is left to do is bring your own sounds.
What's inside
Full arrangement map
Every element the record needs, mapped across the full timeline, with automation notes written into the clips so you see the decisions, not just the layout.
Vocal map
Every vocal section marked across the timeline. See how vocals are arranged through your favourite songs and take those patterns with you.
Fully organized session
The organizing is done for you, mapped, color coded and labeled so structure and repetition are easy to read. Make fast decisions and stay in the flow. No setup, no blank screen.
Key mapped frequency check rack
Instant isolation of lows, mids, highs, mono and stereo while you work, so you can check your track against your reference without opening any windows.
Two key mapped reference channels
Drop your own references in for fast A/B comparison without plugin clutter.
Patterns you can reuse
Learn and pick up the same arrangement patterns the pros use, then take them into every track you write after this one.
The original record
- Artist
- Fisher
- Label
- Catch & Release
- Genre
- Dance/Pop
- Stencil compatibility
- Ableton 12.3 and above
Inside the session
Click to zoom
The full arrangement, color coded and labeled, exactly as it opens.
Reference and frequency check
There is a frequency check rack on both the master and the reference group. A key command hits both at once, so you can go back and forth between your track and a reference without changing anything.
If something sounds off, like the lows soloed on one but not the other, match the two racks and it will clear up.
Load up to two reference tracks into the provided channels in Ableton. Use the built in key commands to make referencing automatic.
Nothing selected yet.
Mono is a capital M. Caps lock is the easiest way to get it.
Common questions
Stencils are arrangement breakdowns of popular songs in Ableton Live that show every instrument in a song and where to put it on the timeline. You can learn from them and fill them out with your own sounds, coming up with something completely unique. Every section is placed, color coded and professionally organized to the highest level so you can make quick decisions and stay in the creative flow.
A remake gives you the whole song. Presets, processing, musical choices, all of it. Great for learning, but you are working inside someone else's sound. A stencil gives you the outline and nothing else. Play in your sounds, move the sections, take it wherever you want. The structure helps you stay organized and make decisions on the fly, so you stay in the flow state.
No. It opens with nothing but stock Ableton devices, so there is nothing to install. Fill it in with whatever plugins and samples you already own.
Both, used differently. If you are learning, it is a guide. The sections are already placed, so you find out where things go by filling them in rather than guessing. I color code these in extreme detail so you can spot patterns easily and speed drill sections to get your reps in. If you already produce, it is an organization and decision shortcut. You skip the blank session and spend time working on the music and the song itself. They use it to get ideas down quickly and pick the best one, rearranging the structure and the instruments on the fly as the song demands.
You can, but following it note for note usually makes a track harder to finish. Add something that is not there, take out what is not needed, and practice rearranging the pieces in different ways until you find what works for the song you are making.
No, and they are more fun when you do not. Take that house stencil and bump it to 140, or turn a dubstep arrangement into a tech house track. Have fun with it, be creative, and bring your own sound to arrangements you would not normally think to use.
No. It is a structural map of how the record is built. Nothing from the original recording is included or reproduced.
Yes. Everything you put into it is yours. Release it, sign it, play it out.
Refundable on request
If something is wrong with the file we will fix it, and if it is not what you expected we will refund it. Just email us.
Any 5 for $29.99
$6.00 a stencil. Mix any genres, any artists, any labels.
Add any 5 stencils to your cart and the bundle price applies automatically at checkout. Mix any genres, any artists, any labels.
Browse all stencilsListen to the original track
Favour (Extended Mix) — FISHER (OZ) & Tones and I
Stencil | 130 BPM | B Major | Dance / Pop | Catch & Release
(Structural arrangement only, no audio included) Compatible with Ableton 12.3 and above
Original reference only. Use any key or BPM.
Most producers don't have an arrangement problem. They have a blank session problem.
You already know how a finished track should sound. You've heard thousands of them. The gap isn't knowledge. It's the moment you open Ableton and nothing's there yet. That's where time disappears, and that's exactly what this solves.
Think of it like a coloring book page for producers. The outlines are already drawn. You bring the colors.
Every section of Favour's extended mix is mapped inside Ableton. Where each part starts, how long it runs, when ideas repeat, when they drop away. You write every sound yourself: drums, bass, chords, leads, vocals. Nothing from the original is included. The structure is yours to produce into.
Favour is a collaboration between two of Australia's biggest names. FISHER is the Grammy-nominated house producer behind some of the most-played club records of the last decade. Tones and I is the artist whose breakout hit sits among Spotify's most-streamed songs of all time, with over 12 billion streams to her name. Released in April 2026 on FISHER's Catch & Release imprint, the track landed in DJ sets and festival rotations within days.
You might not need this. If arrangement decisions come easily, if you never stare at a blank session, if you're finishing tracks consistently, you're probably fine.
But if you're an experienced producer who keeps defaulting to the same structure every time because building from scratch costs too much bandwidth, this gives you a different skeleton to build inside. The arrangement is already solved. That means your full attention goes toward sound design, songwriting, theory, mixing, mastering, and automation. And if you're honest with yourself, finishing more tracks faster is never a bad thing. The producers putting out the most work aren't necessarily the most talented. They're the ones who removed the obstacles between them and the finished record.
For producers earlier in the journey, the math is simple. Watching tutorials is passive. Finishing songs is the repetition that actually builds the skill. This removes the blank session so your time goes toward producing, not staring.
More tracks finished means more reps. More reps means better records, faster.
What's Inside
Full Arrangement Map — Every section of the extended mix laid out bar by bar. Color coded, labeled, and immediately readable so you can study the structure and produce into it at the same time.
Fully Organized Session — Open it and start. No setup, no blank screen.
Key Mapped Frequency Check Rack — Instant isolation of lows, mids, highs, mono, and stereo while you work. Built into every CWL stencil.
Two Key Mapped Reference Channels — Drop your own references in for fast A/B comparison without leaving the session.
The record this stencil is mapped from. No audio from it is included.
Press escape or click outside to close
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